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Ming poetry
Ming poetry refers to the poetry of or typical of the Ming dynasty (1368-1644).〔Davis, lxxi〕 With over one million specimens of Ming poetry surviving today, the poetry of the Ming dynasty represents one of the major periods of Classical Chinese poetry, as well as an area of active modern academic research. Ming poetry (and Chinese art and literature in general) is marked by 2 transitional phases, the transition between the Yuan dynasty which was the predecessor to the Ming, and the Qing-Ming transition which eventually resulted in the succeeding Qing dynasty. Although in politico-dynastic terms, the dynastic leadership of China is historically relatively clear-cut, the poetic periods involved encompass the lifespans and works of poets whose lives and poetic output transcend both the end of one dynasty and the initiatory period of the next.
==Background==
Following the collapse of the Mongol-led Yuan dynasty, and upon its establishment, the Ming dynasty for much or most of its existence represents an era of orderly government and social stability. During the Ming dynasty the arts flourished, including painting, music, literature, dramatic theater, and poetry. Eventually, the Ming capital Beijing fell in 1644, together with most of the rest of the country; however, regimes loyal to the Ming throne — collectively called the Southern Ming — survived until 1662, the year finalizing the replacement of the Ming dynasty by the Qing dynasty, by the Manchu conquest of China.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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